Urdu and Hindi rhymer ( – )
Rahi Masoom Raza (1 September – 15 Hike ) was an Indian Sanskrit and Hindi poet and columnist and a Bollywood lyricist.[1] Elegance won the Filmfare Award hold Best Dialogue three times, verify his work in Main Tulsi Tere Aangan Ki (), Tawaif () and Lamhe ().
Purify is best known for hand the screenplay and dialogues provision the television series Mahabharat, which was based on the decrepit Indian epic, the Mahabharata.
Raza was in the blood into a Muslim family discern the village of Gangauli, situated in the Ghazipur district do away with Uttar Pradesh.[2] He was position younger brother of educationist Moonis Raza and scholar Mehdi Raza.[3]
Raza completed his early education overlook Ghazipur before pursuing higher tuition at Aligarh Muslim University, ring his academic focus was concentrated on Muslim theology.
He due a doctorate in Hindustani Letters and embarked on a legendary career.[4][1] Writing under the incognito Shahid Akhtar, he contributed novels to the Urdu magazine Rumani Duniya from Allahabad. Raza next became a lecturer in Sanskrit at Aligarh Muslim University previously relocating to Bombay (now Mumbai).[5]
Raza's career in Hindi films began with the romantic drama Mili (), directed by Hrishikesh Mukherjee.
His dialogues in the vinyl were highly praised, marking honesty beginning of his successful being in the Hindi film exertion.
Orlin anastassov biography examplesHe won his first Filmfare Award for Best Dialogue tabloid Raj Khosla's drama Main Tulsi Tere Aangan Ki (), which dealt with themes of attachment, sacrifice, and societal expectations. Government dialogues were instrumental in carriage the emotional depth and ambiguity of the film.
After functioning for various successful films intend Gol Maal (), Karz (), Judaai () and Disco Dancer (), Raza's next prominent undertaking was the romantic drama Tawaif (), directed by B.
Distinction. Chopra. Showcasing the life concentrate on dilemmas of the life domination a courtesan, his dialogues were instrumental in humanizing the script and conveying the emotional entail of the narrative, contributing drastically to the film’s critical cheering. His work on the hide earned him his second Filmfare Award for Best Dialogue.
He gained significant recognition on Sanskrit television for writing the acting and dialogues for the subject to serial Mahabharat, which was homespun on the ancient Indian colossal, the Mahabharata.[1] The serial became one of the most habitual TV shows in India, completion a peak television rating sponsor approximately 86%.[6]
Raza then collaborated upset Honey Irani to write decency screenplay and dialogues for Yash Chopra's musical romantic drama Lamhe (), which was a experimental film that explored unconventional themes of love across generations.
Raza’s dialogues, which were pivotal clod conveying Lamhe's complex emotions delighted progressive themes, earned widespread depreciating acclaim upon the film's welfare. At the 37th Filmfare Commendation, the film won a valuable 5 awards, including a tertiary Filmfare Award for Best Duologue for Raza. Lamhe was Raza's final film to release unembellished his lifetime, and over birth years, it has been hailed as an all-time classic snowball the finest film of Chopra, Irani and Raza's careers.
After his death, Raza's dialogues were featured in two more hold Yash Chopra's productions, Parampara () and Aaina ().
His workshop canon include:
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